REPULSION
REPULSION
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ppklown:

Heinrich Lossow, The Enchantress.
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inneroptics:

eugene von bruenchenhein
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fer1972:

’Ballerina’: Grey Bardiglio Marble Sculpture by Kevin Francis Gray
fer1972:

’Ballerina’: Grey Bardiglio Marble Sculpture by Kevin Francis Gray
fer1972:

’Ballerina’: Grey Bardiglio Marble Sculpture by Kevin Francis Gray
fer1972:

’Ballerina’: Grey Bardiglio Marble Sculpture by Kevin Francis Gray
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socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
socialpsychopathblr:

"THE ELOQUENT TERROR"  of Christopher McKenney
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books0977:

Maria Mancini as Cleopatra (1663-1672). Jacob Ferdinand Voet (Flemish, 1639–1689). Oil on canvas. Staatliche Museen, Berlin.
Maria Mancini was the wife of a Colonna duke, and niece of Cardinal Mazarin. She poses as Cleopatra, about to dissolve a great pearl in wine and down it, so winning a bet with Mark Antony concerning her awesome capacity for conspicuous consumption.
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kliuwong:

My uncomfortably sensual interpretation of “The Crow and the Sheep” 
kliuwong:

My uncomfortably sensual interpretation of “The Crow and the Sheep” 
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pankmagazine:

Pin-up Spaghetti Eating Contest